Welcome to Reel People. It’s a place where, you guessed it, real people like yourselves spout off on new movie releases. It works best if you—yes, we mean you—jump into the comments below and tell us what you think of the movie, too.

This week, we’re watching “Changeling”

What I liked: No, Eastwood hasn’t lost it yet like many thought he would after the successes of MYSTIC RIVER, MILLION DOLLAR BABY, and LETTERS FROM IWO JIMA. But in keeping, he has returned and brought us one of the best films of the year. Although Eastwood may not seem to shine techniaclly, it is really the subtleties that make CHANGELING what it is.
And of course we are not forgetting the leading lady, A. Jolie, who many tend to forget is an actress first, and then a celebrity. If A MIGHTY HEART didn’t assure you that she’s worthy of the screen, then this definitely will. I have not seen Jolie as emotionally invested in a character as she is as Christine Collins here. There are some great supporting performances by Jeffrey Donovan as Police Capt. Jones in charge of the investigation as well as another remarkable performance by Amy Ryan whose breakout role in GONE BABY GONE last year impressed us all.

What I disliked: Honestly, CHANGELING is brilliantly smooth around the edges and whereas the 140 minute run-time may seem like too much, Eastwood leaves us with little time for detachment.

Would I recommend it?: The Oscar Race is well underway and I’ll be surprised if Jolie doesn’t receive a nomination. Eastwood weaves this non-fictional tale through several genres, least of all drama and suspense, but above all else, horror. Parts of this horrifyingly true tale can be some what compared to aspects of ZODIAC, SNOW ANGELS, GONE BABY GONE and even LA CONFIDENTIAL. CHANGELING is not only a great film but a truly extraordinary story of determination and hope. Get out and watch, now.

Score: 9 out of 10

- Nizar Babul

What I liked: Eastwood tackles a story that many people might not know about unless they are a history major. In 1928, the Wineville chicken coop murders were the hot press. The underlying story about a mother trying to find her son and the obstacles she goes through with the corrupt LAPD has made history. The acting of Angelina Jolie and John Malkovich in particular are potentially Oscar worthy. You will walk out of this film not only shaken but stirred-even taking a moment to realize you are in 2008, not 1928.

What I disliked: Although Angie’s acting was great, it wasn’t brilliant. This time it wasn’t the actors fault. She was not given the best material to work with making her character seem confused at times and at a loss of words when there should have been some speech.

Although this film brings forth a new story to the big screen, the content feels predictable and you continue watching the film thinking you know it will end one of three different ways.

Would I recommend it?: Yes. The acting, scenery and the treatment of women in the 1920’s is reason enough to go and watch this film.

The watch ability factor, though, of child murders makes this film a one time shot. I don’t need to see it ever again. It hit the chord and its done.

Score: 6 out of 10

- Michelle Schenck

What I liked: The combination of the subject matter and Eastwood’s direction had predisposed me to assume that this would be a very dark effort. Instead I found the movie to be an atmospheric, compelling piece of story-telling ideally scored. Jolie’s performance is impressive and nuanced while Malkovich displays his usual screen presence. Jeffrey Donovan segued very effectively from his sympathetic role in “Burn Notice” to the smilingly villainous police captain

What I disliked: This is a lengthy movie at 141 minutes.  I felt that the length mirrors the interminable search of a mother for her lost son, and allowed the story to evolve at a pace in keeping with the period. However, some might find it a little slow.

Would I recommend it?: Yes. It was an excellent movie.  I assumed that, as a parent, I would not enjoy this movie, encompassing as it does, one of the primal fears for one’s children - abduction and possible death. However, Eastwood’s rendition of this true case is masterly.  While I wouldn’t recommend this movie to those seeking light relief after a hard week, it is an ultimately hopeful movie.

Score: 8 out of 10

- Marian Hill